Cinema

"What's a bad miracle?"
 
Oscar winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope. 
 
The film reunites Peele with Oscar winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe - all with connected, yet conflicting, objectives - on the world's fastest train and he's got to figure out how to get off. From the director of Deadpool 2, David Leitch, the end of the line is only the beginning in a wild, non-stop thrill ride through modern-day Japan.

From the best-selling novel comes a captivating mystery. Where the Crawdads Sing tells the story of Kya, an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina.

For years, rumors of the "Marsh Girl" haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh.

The film finds Thor (Chris Hemsworth) on a journey unlike anything he's ever faced - a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher (Christian Bale), who seeks the extinction of the gods.

This summer, from the biggest global animated franchise in history, comes the origin story of how the world's greatest supervillain first met his iconic Minions, forged cinema's most despicable crew and faced off against the most unstoppable criminal force ever assembled in Minions: The Rise of Gru.
 
Long before he becomes the master of evil, Gru (Oscar nominee Steve Carell) is just a 12-year-old boy in 1970s suburbia, plotting to take over the world from his basement. 
It's not going particularly well. When Gru crosses paths with the Minions, including Kevin, Stuart, Bob, and Otto - a new Minion sporting braces and a desperate need to please - this unexpected family joins forces. Together, they build their first lair, design their first weapons, and strive to execute their first missions.
 
When the infamous supervillain supergroup, the Vicious 6, oust their leader - legendary martial arts fighter Wild Knuckles (Oscar winner Alan Arkin) - Gru, their most devoted fanboy, interviews to become their newest member. The Vicious 6 is not impressed by the diminutive, wannabe villain, but then Gru outsmarts (and enrages) them, and he suddenly finds himself the mortal enemy of the apex of evil. With Gru on the run, the Minions attempt to master the art of kung fu to help save him, and Gru discovers that even bad guys need a little help from their friends.

From Oscar-nominated visionary filmmaker Baz Luhrmann comes Warner Bros. Pictures' drama "Elvis," starring Austin Butler and Oscar winner Tom Hanks.

The film explores the life and music of Elvis Presley (Butler), seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Hanks). The story delves into the complex dynamic between Presley and Parker spanning over 20 years, from Presley's rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the most significant and influential people in Elvis's life, Priscilla Presley (Olivia DeJonge).

A young, brilliant barrister who loves to win comes face to face with unexpected forces when the patriarchal power of the law, burden of proof and morals diverge.

Jodie Comer makes her West End debut in the UK premiere of Suzie Miller’s award-winning play, which takes us to the heart of where emotion and experience collide with the rules of the game.

After more than thirty years of service as one of the Navy's top aviators, Pete "Maverick" Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him.

When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: "Rooster," the son of Maverick's late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka "Goose".

Facing an uncertain future and confronting the ghosts of his past, Maverick is drawn into a confrontation with his own deepest fears, culminating in a mission that demands the ultimate sacrifice from those who will be chosen to fly it.

Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?

Adapting the classic Shakespearean romantic tragedy for the screen, Baz Luhrmann updates the setting to a post-modern city named Verona Beach, with the Montagues and Capulets played by two gangs with a fierce rivalry. 

This film is part of Throwback where we revisit classics. Each ticket includes a complimentary drink, and a hot dog or a pizza.

The wait is over! After 2 long years, maestro André Rieu is performing from his hometown of Maastricht once again in a brand-new summer concert - Happy Days are Here Again!

The jolly summer event on the iconic Vrijthof square features popular feel-good classics, show-tunes, and of course, joyous waltzes, performed with the wonderful Johann Strauss Orchestra and very special guests.

They say absence makes the heart grow fonder and André’s first summer concert in over 2 years will be a magical experience. Let’s sing, dance, share tears of joy and laugh together because…Happy Days are Here Again!

Katherine Parkinson (The IT Crowd) and John Heffernan (Dracula) lead the cast in Shakespeare’s romcom of sun, sea and mistaken identity. 

The legendary family-run Hotel Messina on the Italian Riveria has been visited by artists, celebrities and royalty. But when the owner’s daughter weds a dashing young soldier, not all guests are in the mood for love. A string of scandalous deceptions soon surround not only the young couple, but also the adamantly single Beatrice and Benedick.  

Following the success of National Theatre Live’s Romeo & Juliet, Twelfth Night and Antony and Cleopatra, director Simon Godwin returns with this irresistible comedy, broadcast live from the National Theatre stage.  

A rollicking new comedy by Richard Bean (One Man, Two Guvnors) and Oliver Chris (Twelfth Night), based on Richard Brinsley Sheridan’s The Rivals.

After an aerial dog fight, Pilot Officer Jack Absolute flies home to win the heart of his old flame, Lydia Languish. Back on British soil, Jack’s advances soon turn to anarchy when the young heiress demands to be loved on her own, very particular, terms.

Emily Burns directs this spectacularly entertaining new version of Sheridan’s The Rivals. Featuring a cast including Caroline Quentin, Laurie Davidson, Natalie Simpson and Kelvin Fletcher. 

The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Frodo and Sam reach Mordor in their quest to destroy the One Ring, while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith.

This film is part of Throwback where we revisit classics. Each ticket includes a complimentary drink, and a hot dog or a pizza.

The Red Ribbon Army was once destroyed by Son Goku. Individuals, who carry on its spirit, have created the ultimate Androids, Gamma 1 and Gamma 2. These two Androids call themselves "Super Heroes". They start attacking Piccolo and Gohan... What is the New Red Ribbon Army's objective? In the face of approaching danger, it is time to awaken, Super Hero!

When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.

With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.

‘Love cannot kill: it brings new life.'

On a starlit night in Nagasaki, these are the words spoken by American soldier Pinkerton to young geisha Cio-Cio-San. But as they both learn, words and promises carelessly spoken can have indelible consequences.

With a score that includes Butterfly’s aria, 'Un bel dì, vedremo' (‘One fine day’) and the ‘Humming Chorus’, Giacomo Puccini’s opera is entrancing and ultimately heart-breaking. Moshe Leiser and Patrice Caurier’s exquisite production takes inspiration from 19th-century European images of Japan.

Inspired by dark and gripping real life events, this Royal Ballet classic depicts the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera. The oppressive glamour of the Austro-Hungarian court in the 1880s sets the scene for a suspenseful drama of psychological and political intrigue as Rudolf fixates on his mortality.

Kenneth MacMillan’s 1978 ballet remains a masterpiece of storytelling and this revival marks 30 years since the choreographer’s death. Expect to see The Royal Ballet at its dramatic finest across potent ensemble scenes and some of the most daring and emotionally demanding pas de deux in the ballet repertory.

Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. Meanwhile, the ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make an agonizing choice between their loyalty to home, and their love for each other.

In this new production, director Robert Carsen situates Verdi’s large-scale political drama within a contemporary world, framing its power struggles and toxic jealousies in the apparatus of a modern, totalitarian state. Royal Opera Music Director Antonio Pappano conducts Verdi’s glorious, monumental score.

Paris, 1900. Penniless writer Rodolfo believes that art is all he needs – until he meets Mimì, the lonely seamstress who lives upstairs. So begins a timeless love story that blooms, fades, and rekindles with the passing seasons. But while the couple’s friends Marcello and Musetta passionately row and make up, a force greater than love threatens Rodolfo and Mimì.

Richard Jones’s production evokes the vivid contrasts of fin de siècle Paris, from Bohemian apartments to glittering arcades.

Emilia Clarke (Game of Thrones) makes her West End debut in this 21st century retelling of Anton Chekhov’s tale of love and loneliness.

A young woman is desperate for fame and a way out. A young man is pining after the woman of his dreams. A successful writer longs for a sense of achievement. An actress wants to fight the changing of the times. In an isolated home in the countryside, dreams lie in tatters, hopes are dashed, and hearts broken. With nowhere left to turn, the only option is to turn on each other.

Following his critically acclaimed five-star production of Cyrano de Bergerac, Jamie Lloyd brings Anya Reiss’ adaptation of Anton Chekhov’s classic play to stage. Filmed live in London’s West End with a cast including Tom Rhys Harries (White Lines), Daniel Monks (The Normal Heart), Sophie Wu (Fresh Meat) and Indira Varma (Game of Thrones).

The Royal Ballet’s dazzling Principals lead an evening not to be missed, their sparkling talents a perfect fit for a diamond anniversary. Celebrating the 60th anniversary of The Friends of Covent Garden, this programme recognizes the amazing support of all ROH Friends past and present.

The showcase will demonstrate the breadth and diversity of The Royal Ballet’s repertory in classical, contemporary and heritage works. It will also include world premieres of short ballets by choreographers Pam Tanowitz, Joseph Toonga and Valentino Zucchetti as well as The Royal Ballet’s first performance of For Four by Artistic Associate Christopher Wheeldon and a performance of George Balanchine’s Diamonds.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy and her Prince in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular classical dancing.

A modern Mexican classic of magic realism provides the basis for The Royal Ballet’s new full-length work, reuniting Artistic Associate Christopher Wheeldon with the creative team who transformed Alice’s Adventures in Wonderland and The Winter’s Tale into dance, composer Joby Talbot and designer Bob Crowley.

The ballet is inspired by Laura Esquivel’s novel – a captivating family saga where the central character’s emotions spill out through cooking to influence everyone around her in startling and dramatic ways. In this co-production with American Ballet Theatre, Mexican conductor Alondra de la Parra also acts as musical consultant for Talbot’s newly commissioned score, and Wheeldon has worked closely with Esquivel to reshape her richly layered story into an entertaining and engrossing new ballet.

A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma).

Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power.  As a climate of fear, vendetta and accusation spread through the community, no one is safe from trial.

Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.

When Rosina falls in love with a mysterious young suitor who calls himself Lindoro, she must use all her cunning – and a little help from her local barber – to outwit her calculating guardian Dr Bartolo.

Expect heart-melting serenades, ridiculous disguises and a fairytale ending waiting just out of reach. From the barber’s famous opening number ‘Largo al factotum,’ with its cry of ‘Figaro! Figaro!,’ to Rosina’s feisty aria ‘Una voce poco fa,’ Gioachino Rossini’s comic opera is a riotously entertaining affair. Rafael Payare makes his Royal Opera House debut conducting an outstanding international cast that includes Andrzej Filończyk, Aigul Akhmetshina, Laurence Brownlee and Bryn Terfel.

An extraordinary new production of Shakespeare’s most enduring tragedy, directed by Clint Dyer with a cast that includes Giles Terera (Hamilton), Rosy McEwan (The Alienist) and Paul Hilton (The Inheritance).

She’s a bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. He’s a refugee of slavery; having risen to the top of a white world, he finds love across racial lines has a cost. 

Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide.

In the court of Princess Turandot, suitors who fail to solve her riddles are brutally killed. But when a mysterious Prince answers one correctly, suddenly he holds all the power – and a glorious secret. When life hangs in the balance, can love conquer all?

Puccini’s score is rich in musical marvels (featuring the famous aria ‘Nessun dorma’), while Andrei Serban’s production draws on Chinese theatrical traditions to evoke a colourful fantasy tableau of ancient Peking. Antonio Pappano conducts Anna Pirozzi in the title role and Yonghoon Lee as Calaf.

Royal Ballet Founder Choreographer Frederick Ashton’s Cinderella celebrates its 75th anniversary this Season. The ballet’s opening night in 1948, featuring Moira Shearer and Michael Somes in the lead roles, was received rapturously. After over a decade away from the Royal Opera House stage, Ashton’s timeless reworking of Charles Perrault’s famous rags-to-riches story returns, showcasing the choreographer’s deft musicality and the beauty of Prokofiev’s transcendent score. A creative team steeped in the magic of theatre, film, dance and opera brings new atmosphere to Cinderella’s ethereal world of fairy godmothers and pumpkin carriages, handsome princes and finding true love.

Servants Figaro and Susanna are filled with excitement on their wedding day, but there’s a hitch: their employer, the Count Almaviva, has dishonourable intentions of his own towards the bride-to-be.

With more twists than a page boy’s stockings, the story of Mozart’s comic opera will surprise and delight you at every turn. Come for the music and stay for the cross-dressing hilarity, all unfolding over the course of one crazy, topsy-turvy day in the Almaviva household. Royal Opera Music Director Antonio Pappano conducts a truly international cast in David McVicar’s timeless production.

The Sleeping Beauty holds a very special place in The Royal Ballet’s heart and history. It was the first performance given by the Company when the Royal Opera House reopened at Covent Garden in 1946 after World War II. In 2006, this original staging was revived and has been delighting audiences ever since. Frederick Ashton famously cited the pure classicism of Marius Petipa’s 19th-century ballet as a private lesson in the atmospheric art and craft of choreography. Be swept away by Tchaikovsky’s ravishing music and Oliver Messel’s sumptuous fairytale designs with this true gem from the classical ballet repertory.

Passions run high as Manrico and the Count di Luna compete for the affections of Leonora. Little do they know, Manrico’s mother Azucena has been keeping a terrible secret for decades. Soon a curse from the past will rise up from the ashes with devastating implications for them all.

Starring Ludovic Tézier and Jamie Barton, Adele Thomas’s energetic staging sets Verdi’s tale in a Hieronymus Bosch-inspired universe of medieval superstition. Antonio Pappano conducts Verdi’s dramatic score, which features the famous ‘Anvil’ chorus.